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Heavy Sugar

by DOOZY

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1.
Paris is no trifle And I tried to get an eyeful Did some roamin’ while in Rome and on the Rhine What we did in Spain I really can’t explain It’s all a little blurry Since you’ve become mine We saw the sea The ocean blue We saw a castle With turrets and a view I saw a camel In fact there were two But all I really saw was you We took some snap shots Said “parlez vous” We saw the Prado, La Scala, and the Louvre. I danced with a Raja Somewhere in Baku But all I really saw was you From New York to New Caledonia You’re the only thing that caught my eye The Taj Majal – It was large, I recall The Sahara… I’m certain, was rather dry We saw a bridge We saw a lake We saw a fakir, or was he just a fake The lights of Paris - Were so embarrassed ‘Cause all I really saw was you…
2.
Absinthe 03:10
Another night of sitting alone Tired of waiting by the telephone A bar stool below me and heaven above These are the moments When I think of love Absinthe makes the heart grow fonder A couple of rounds and I start to ponder Looking into your big bad eyes I’m heading to paradise Absinthe makes you almost a charmer Drinkin’ is the chink in my armor Tell me, what’s the kicker? Is it your lips, or is it the liquor? Shake me awake - With a drink and a kiss I might’ve guessed - it would lead to this Absinthe makes my heart beat faster Just one more and I’ll make it last dear Let me stay in this lovely fog Then I have to see a man about a dog
3.
I’m your girl, and you’re my fella Our love is tried and true But it’s time to be pragmatic And practical, me and you I need a wealthy husband You need a doting wife So let’s marry other people And be happy for the rest of our life With all my faults you love me And I think that you’re perfectly swell But we need a man with money And a woman who’ll treat us well He would bring the bacon home While she would bake us pies We could do what we do best We’d be so content, you and I We could live a life of ease Totally lacking in strife If we had a wealthy husband And we had a doting wife (second bridge) He’ll take us on shopping sprees To Paris and to Rome She’ll bring us our slippers When we’d rather lounge around at home We could live a life of ease Totally lacking in strife If we had a wealthy husband And we had a doting wife
4.
If I had the money, I’d buy a bucket of gin If I had the heavy sugar, I’d buy a bathtub fulla of gin ‘Stead I’m sitting sipping soda Oh what a fix I’m in I can’t afford a reefer, can’t buy no rum or rye Got no cigarette money, Cocaine is too much to buy Wish I could have the heebie-jeebies But it costs too much to get high I’m too broke to be a sinner I can barely buy my dinner But I’d gamble all my dough if I could I can’t afford to be a floozy Too broke to buy the booze Can’t cry in a beer like I should If I had a roll of nickels - I’d be up to no good If I had some pocket money I’d drink from breakfast to bed I’d spend it like a sailor- ‘Til I was out of my head If my pockets weren’t so empty I’d probably wind up pretty dead
5.
I’ll sleep all day if I want to I’ll sleep all day ‘til tea And after I am fed I’ll just mosey back to bed Perhaps you’d like to sleep with me? I’ll sleep ‘til noon or to midnight I’ll sleep when I’ve a hank’ring to I might just want to sleep When the evening shadows creep And I might just sleep with you You’re terrific, Though awfully soporific And my eyes just feel like lead I know it’s only twelve-ish and I don’t mean to be selfish But we really oughta go to bed After sleeping We can get acquainted And then we’ll nap ‘til three It isn’t that you’re boring (I’d like to get to know you) I’d just love to hear you snoring (got a few things I could show you) Won’t you come and sleep with me?
6.
Je ne sais pas parler français Mais Je sais commander mon café, mes cigarettes, Et j’peux vous chanter ce p’tit couplet, Pour m’ rendr’ … une vraie sophistiquette Je ne suis qu’une Americaine, une Americaine solitaire Mais mon coeur a soif de rives étrangeres Laissez-moi marcher vos rues, emprunter votre lune Je trainerai dans vos cafés jusqu’à ce que mort s’en fume (Je trainerai dans vos cates joos-KA-s-kuh mort sen fume) Je ne suis qu’une Americaine, une Americaine solitaire Je ne comprend pas vo-tre savoir faire (Je n’comprend pas votre Atmosphère) Mais je rirai sans comprendre (dutout) c’que vous dis Et pour un instant a moi je vivrai votre vie
7.
I go to get a cuppa coffee Tastes like caramel and toffee Don’t know why you want to mess around with my…cuppa joe Just want a plain old cuppa java Black and hot as molten lava There's no need to add a thing, just bring it to me…and I’ll go Don’t take away my morning mud Stop messin’ with my joe My coffee don’t need frills and fluff Please pour it nice and slow Don’t want Café Americano Or double mocha macchiato Just cut me a little slack and pour it black…my cuppa joe
8.
He met and she met one hot summer night They laughed and they loved And they had a fight He left and she left by morning’s first light And love went terribly wrong He fell and she fell they fell for each other He whispered she sighed And they came together He found then she found the arms of another And love went terribly wrong It’s the same old story it’s the same old song It’s all so right – ‘til it’s all so wrong He loves - she loves - together - apart He lost his head – she gave up her heart He gave and she gave all they had to give He promised, she vowed “As long as we live” (‘Til) he fell and she fell they couldn’t forgive And love went terribly wrong
9.
You may have trouble You may have sorrow You may have – To work tomorrow But I know a place Where the dancin’s free The Munchkin Hotel Is the place to be You could stay home All night and snooze Or you could put on Your dancing shoes Come on down to the Munchkin Hotel Where all the little munchkins Goin’ straight to hell Munchkins all got happy pants ‘Cause the drinks are two feet tall Take a tiny step To the floor and dance And have yourselves A munchkin ball We can be gay, at least ‘til eleven Jump and sway, It’s a slice of heaven Meet me in the lobby of the Munchkin Hotel Where all the little munchkins Goin’ straight to hell
10.
He’s left his cave, he’s steppin’ out He’s showered and used a comb He’ll put on some pants and be ready to dance As long as he gets to stay at home Johnny’s come out, but not too far Johnny’s come out, to his backyard Life’s too short to stay inside So Johnny’s come out tonight Johnny’s come out, he’s so bold Johnny’s come out, ‘cause he’s growin’ mold He’s got cobwebs on his hide So Johnny’s come out tonight His house! He don’t leave his house His house! He don’t leave his house. His house! He don’t leave his house, But Johnny’s coming out tonight He’s dressed to kill and he’s feeling swell He’ll venture out when there’s ice in hell But fix him a drink and mix it well And Johnny will come out tonight, whoa Johnny’s coming out tonight
11.
When you're all alone, any old night And you're feeling out of tune Pick up your hat, close up your flat Get out, get under the moon Underneath the bright, silvery light You'll be feeling better soon Pick up your hat, close up your flat Get out, get under the moon Look! Look! Look at those stars above Look, look, look at those sweeties love Oh boy, give me a night in June! When it's raining out, stay in your flat But on a lovely night in June Pick up your hat, close up your flat Get out, get under the moon When you're all alone, any old night And you're feeling out of tune Pick up your hat, close up your flat Get out, get under the moon Underneath the bright, silvery light You'll be feeling better soon Pick up your hat, close up your flat Get out, get under the moon Walk, walk, kiss and then walk again Talk, talk, kiss and then talk again Oh boy, give me a night in June When it's raining out, stay in your flat And you're feeling out of tune Pick up your hat, close up your flat Get out, get under the moon
12.
Tonight we must part, it’s been heaven The party is over it seems But we’ll meet later in the moonlight In the middle of the street of dreams I’ll miss you, it’s true, but it’s late dear A taxi will take me to bed But I’ll meet you later in dreamland I’ve got visions of you in my head It’s not easy to leave you, (But) there’s something I know Just be patient and I’ll see you In an hour or so There’s a little club in dreamland We can dance all night I’ll stay in your arms – we’ll kiss ‘til it’s light And when I see you tomorrow Your eyes will surmise what it means You’ll remember that we met in dreamland In the middle of the street of dreams

about

DOOZY sounds like a band you once might've heard in a shady downtown bar, on a Parisian sidewalk, or wafting from a Philco wireless on a hot summer evening. Dreamy and quirky original music that's heavy on the lyrics and vocals, backed by an eccentric instrumental style. Music that begs for a couple of rounds of cocktails and a steamy love affair. The mood is sultry but sweet, wry but not jaded, frequently amusing. Doozy transports you to another time but the themes are timeless: the pursuit of love, liquor, and happiness, which rarely seem to come in the right amounts.

DOOZY grew out of singer Christie Mellor's lifelong fondness for the music of the 1920s and ‘30s and her penchant for memorizing every record she could find by the Boswell Sisters, Ruth Etting, Bing Crosby, and Annette Hanshaw. In her other life she’s a published author, actor, and illustrator, but a band was born when she and her neighbor, documentary producer and guitarist Doug Freeman, another fan of early jazz and popular music, started playing together. They roped in three long-time friends and DOOZY was complete: first to join was artist, filmmaker, and fez-wearer John Allen on clarinet; then writer, director, and arranger Peter Hastings on upright bass; and finally jazz and classical pianist Henry Spurgeon on accordion.

After gigging around Los Angeles for a year or so, Christie and Doug began to write and record their own songs together, and the result is DOOZY's first CD of original music, "HEAVY SUGAR."

When not on the road, DOOZY can be heard dishing out their own lush and loopy brand of Prohibition pop and Depression-era cheer—featuring songs from "HEAVY SUGAR"—every Thursday night at the historic Culver Hotel in Los Angeles.

And if you want to see what a Doozy video looks like check these out:

www.youtube.com/watch?v=uP2Ccs-aTzk

www.youtube.com/watch?v=HSnHCih-iaI

credits

released July 15, 2011

All Songs Written by Christie Mellor (Mellortone Music/BMI) and Doug Freeman (Honkytone Music/BMI) except: Johnny's Come Out by Christie Mellor, Richard Goldman (Dragbunt Music/BMI) and Doug Freeman; Get Out and Get Under the Moon by Larry Shay, Charles Tobias and William Jerome

Doozy is
Christie Mellor - vocals, percussion
Doug Freeman - guitar, ukulele, lap steel guitar, mandolin, percussion, tenor sax, vocals
John Allen - clarinet, baritone sax
Peter Hastings - bass
Henry Spurgeon - accordion, musette, piano

Additional Musicians
Max Kaplan - bass clarinet, clarinet, alto sax
Atticus Mellor-Goldman - cello
Steve Mugalian - percussion
Corey Gemme - cornet, trombone, percussion

Arrangements on Absinthe, I'll Sleep All Day, and Munchkin Hotel by Peter Hastings
Horn arrangement on Don't Mess with Joe by Doug Freeman

Produced, engineered, and mixed by Doug Freeman at Tin Can Sound, Los Angeles, CA

Addtional recording by John Allen at Gower Ranch, Los Angeles, CA

Mastered by Hank Linderman at Parsons Green, Los Angeles, CA

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Doozy Los Angeles, California

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